| The Murdered revitalize Atlanta hardcore scene
The Murdered, a five-piece hardcore band from Atlanta, might be the youngest band appearing at the Tribunal Records showcase. They range in age from 19 to 22, and Flying Anvil booker Andrew Dudek is having a hell of a time sorting out the members who are of drinking age from the young 'uns.
The Murdered have done pretty well for themselves. Earlier this year, on June 6, they released their album And the Maggots Shall Inherit the Earth on Tribunal Records.
The band formed two years ago from the dissolution of several Atlanta-area metal and hardcore bands, said guitarist Ryan Shea. The band received its members from the groups Shut the Fuck Up and Listen, Style Over Substance and Starsfade.
"We just came up here for this show," Shea said. "We played one down in Atlanta last night."
The Murdered play textbook hardcore that borrows metal's imagery of crushing violence.
Kustom Celebrates 40th Anniversary With Introduction Of Limited Edition Amplifiers
Kustom Amplification proudly celebrates its 40th Anniversary with the introduction of two series of Limited Edition guitar amplifiers. Sporting cool racing-style stripes, the 40th Anniversary Coupe® Series consists of three models while the new '66 DART™ takes Kustom's popular 10-watt guitar amp platform and gives it a full-on "Tuck n' Roll" visual treatment. The 40th Anniversary Coupe Series amplifiers will be available in 1x12 (36-watt) and 2x12 (72-watt) combo amp formats as well as a 2x10, 36-watt version - a new configuration for the Coupe Series. In keeping with the Anniversary theme, only 40 of each model will be manufactured. The padded Tuck n' Roll panels of each Anniversary Coupe are crafted using the original Uniroyal® Naugahide material but with a bold racing stripe added and a special "1966 - 2006" embroidered logo stitched directly onto the colored panel.
Punktfest 06 - Kristiansand, Norway - Day Two, August 25, 2006
When British drummer Bill Bruford stepped up to the mic for the first time during his engaging and highly playful duet with Dutch pianist Michiel Borstlap, he made the comment that “as a true road warrior, by all accounts this is an incredibly well-run festival, setting a new high bar for overall competence." And those are truthful words from someone with enough years on the road to know. While organizing any festival, especially where numerous acts will appear on the same stage, is a challenge, Punktfest has to be one of the greatest nightmares from a logistical perspective. Chapter Index
Challenges
Hanna Hukkelberg
Karl Seglem
Bill Bruford and Michiel Borstlap
Frode Gjerstad and Jan Bang
Bugge Wesseltoft
The Wagner Reloaded Project (WARP)
Challenges Almost every act incorporates electronics to some extent, so just organizing soundchecks so that acts can set up, make sure everything works, and then come back later for the show with the assumption that everything still works is a big enough task.
Larry Martus | Transcendence
Solo recordings have to overcome extra hurdles in order to maintain listener interest. Single-line instruments like the saxophone tend to have the most difficulty because of their limited timbral range and inability to maintain an independent accompanying line. The piano is naturally the most flexible, allowing independent hands to work, but it also has timbral limitations. The guitar is in betweenit can fake true contrapuntal lines, but it also can change its sound through electronics. With Transcendence, Larry Martus has assembled a beautiful collection of original compositions for solo guitar. For the gearheads out there (meaning most electric guitar players of any stripe), a lot of different equipment was used in this recording. Martus lists a 1967 Gibson ES-335, a 1968 Fender Pro Reverb, and an old Fender Stratocaster (with modified electronics, of course) coupled with a 1956 (!) Fender Tremolux and a Roland JC-120 amplifier.
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